Poet's dream. Odilon Redon. nd. Private collection.
My first encounter with Life of Pi began one June afternoon in 2003 – near where the wet greens of Missouri meet the turbulent golds of the Great Plains. I was on a road trip from Atlanta to Denver, alone except for the audio version of Pi which I had rented at a Cracker Barrel near Clarksville, Tennessee.
Kansas is a universe of black asphalt and wheat crops. If you have ever driven across it, you will appreciate how the gift of a story well told made all the difference. For ten hours Martel’s storytelling held me, black asphalt and wheat crops notwithstanding. What is most remarkable to me about that first experience is how vividly the story has stayed with me. In part, its enduring immediacy arises out of the first person point of view of a sixteen-year-old Hindu-Christian-Muslim but it is more than that. It is the encyclopedic knowledge of animals and their habits that has followed me from Kansas.
Annie Dillard was the first writer to do that for me. She described the death march of silk processionaries, the staggering gait of a crippled polyphemus moth, the cannibalistic love rites of praying mantis and scorched those images into my being. Martel, with another voice and another genre, creates the same intimate proximity to the natural world. A dense blue spray of flying fish, the Eden-like meerkats of an algae island, and a starving tiger named Richard Parker now play within my internal landscape. Very few stories affect me that way.