LIFE AS MYTH

Index

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JOURNAL

Index

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JOURNAL 2010

2010

A vision quest

Finding a guiding light

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WINTER 2010

Incarnating the word

Index 2010

The beatitudes

The book of hours

Les Tres Riches Heures

Les Belles Heures

The commissions of Jean France, Duc de Berry

The Book of Kells

The four evangelists

Carpet page

The Incarnation Initial

Incarnating the word

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LIFEWORKS

About

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ARCHIVES

Index

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WINTER 2010
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INCARNATING THE WORD

madonna

Madonna del Parto. Piero della Francesca. ca. 1459. Museo della Madonna del Parto, Monterchi.

The Madonna del Parto [Madonna of childbirth] is a fresco painting by Piero della Francesca. One historical account reports that Francesca completed the piece in seven days while in Sansepolcro for his mother's death [1459]. The painting features a liberal amount of blu oltremare, also known as ultramarinum [beyond the sea], obtained from imported lapis lazuli. Popular with Italian painters in the fourteenth and fifteenth centures, blu oltermare was also very expensive, at times exceeding gold in cost. Artists were sparing in their use of it, reserving the color for the robes of the Virgin Mary and the Christ child.

The motif of Madonna del Parto is one found in Tuscan art beginning in the 14th C. In these paintings, the Madonna usually stands alone and holds a closed book over her belly, signifying her embodiment of the incarnate word. Here Francesca reveals her within a pavillon, with two angels opening its panels. This opening is then mirrored in the panels of the Virgin Mary's robes. One interpretation describes the pavillon as representing the orginal Ark of the Covenant. In this context, the pregnant mother of Christ then becomes the vessel for the new covenant.

 

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